Beaux Arts


Emerson Hall, located in Harvard Yard in Cambridge, is the home of the University’s Philosophy Department. Named for Ralph Waldo Emerson, the building was designed by Guy Lowell and was completed in 1905. The noted psychologist and philosopher, William James, taught in Emerson Hall when he was at Harvard. Over the entrance of the building is the Biblical inscription: “What is man that thou art mindful of him?” (Psalm 8:4).

The Mount

Edith Wharton‘s first book, The Decoration of Houses (1897), written with Ogden Codman, Jr., was very influential as a guide to interior design. The work was a reaction to the Victorian style of heavily curtained and cluttered rooms, instead emphasizing the style of the harmonious and simply proportioned classical rooms of Europe. The main house of Wharton‘s country estate in the Berkshires, called the Mount and located in Lenox, was built in 1902 and displays the principles she had advocated in her book. The house, designed by Wharton with assistance from Codman, was inspired by the seventeenth century English estate, Belton House, but the Mount‘s design also drew strongly on classical Italian and French architecture. The gardens and grounds were also designed by Wharton, with the kitchen garden and drive being designed by Wharton‘s niece, Beatrix Jones Farrand.

Wharton and her husband, Edward, lived in the Mount from 1902 to 1911. The house was later used as a girls’ dormitory for the Foxhollow School, and the site of Shakespeare & Company. In the 1980s, the property was bought by Edith Wharton Restoration, which has restored the grounds and much of the house. The house was opened to the public in 2001, but in 2008 the institution, which had spent millions to acquire the surviving half of Edith Wharton’s collection of books, defaulted on loans and faced foreclosure. Please help save the Mount by visiting and spending money there! There is an online video available of Bob Villa taking a tour of the Mount. Below are some pictures and descriptions of some of the rooms at the Mount and the gardens: (more…)

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Founded in 1848 by an act of the Massachusetts legislature and first opened in 1854, the Boston Public Library moved to its current building, on Copley Square, in 1895. Designed by Charles Follen McKim, of McKim, Mead, and White, the building (built 1887-1895) is modeled on the style of an Italian Renaissance palazzo and is also influenced by Alberti’s San Francesco at Rimini, with an inner courtyard, based on the Palazzo della Cancelleria in Rome. McKim’s Beaux Arts training led to the classicism of the Library building, influenced in particular by Henri Labrouste‘s Bibliothèque Sainte-Geneviève (built 1843-1850) in Paris. This style would greatly influence the design of American public buildings in the following decades. The Boston Public Library, both inside and out, combines architecture with famous sculpture and mural painting. The neighboring Harvard Medical School building of 1883 was demolished and replaced by Philip Johnson‘s New Brutalist-style Library Addition in 1966 to 1972.

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The Copley Plaza Hotel in Boston was built in 1912 on Copley Square, at the site of the old Museum of Fine Arts building (1876), which was torn down in 1909. The hotel was designed by the local architect Clarence Blackall, working with Henry J. Hardenbergh, a nationally renowned architect of hotels, who had studied with the Ecole des Beaux Arts-trained Detlef Lienau. John Singer Sargent had a suite in the hotel in the early 1920s. The building is now the Fairmont Copley Plaza Hotel.

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The curiosities collection of the Springfield Museums, which goes back to 1859, was at first housed in City Hall and then in the City Library. It was later displayed in the George Walter Vincent Smith Museum‘s Hall of Ethnology. This collection soon grew so large that a seperate building was constructed in 1899. Originally established as the Springfield Ethnological and Natural History Museum, it is now the Springfield Science Museum.

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Boston’s Museum of Fine Arts began in 1870 with space in the Boston Athenaeum. In 1876, the museum moved to a Gothic building on Copley Square. In 1907, the museum began planning its next move to a new location on the Fenway, where an interconnected building complex would be constructed over several years. Designed by Guy Lowell, the first section of the Classical Revival structure to be completed was the one on Huntington Avenue (above), finished in 1909, which features a central Greek temple portico with two symmetrical wings on either side. The next section was the Robert Dawson Evans Wing on the Fenway (below), completed in 1915, which features a long Ionic colonnade. Between 1916 and 1925, the John Singer Sargent created the art for the central Rotunda and Colonnade. Various additions have been made to the museum over the years, including the Decorative Arts Wing in 1928, the Forsyth Wickes Addition in 1968, the George Robert White Wing in 1970, and the I. M. Pei-designed West Wing in 1981. Currently, the museum is undergoing a new renovation and expansion. (more…)

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The Union Trust Company building, at 1351 Main Street in Springfield, was built in 1907. The Beaux Arts style structure was designed by the architectural firm of Peabody and Stearns, with exterior decoration by John Evans. The building has also housed Northwestern Mutual Life and the Springfield Group.

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